James Burke’s practice challenges current notions of colour & process, pattern & geometry, materiality & form; whilst drawing on principles from Formalism, Hard Edge & Minimilism, to the Bauhaus, Design Art & Relational Aesthetics.
The circular geometry used by the artist seeps into cultures, with subtle differences & a broad range of applications. Similar geometry has been seen & experienced inside the most sacred and mundane spaces - Churches, cathedrals, mosques, synagogues, roman villas, ancient ruins, museums, books, haute couture, shopping malls, coffee shops & on streets. The artist extracts this geometric form & applies it through a postmodern working methodology.